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  C O M P E T I T I O N S,  S E M I N A R S  &  C O N F E R E N C E S , T O U R S                           

Association of Jewelry Appraisers

34th ACE© It Mid-Year Educational Conference
Crown Plaza Hotel
Warwick RI
August 14 - 17, 2010

 
718.896-1536, f. 718-997-9057
 
naja.appraisers@netzero.net


www.NAJAappraisers.com

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International Society of Appraisers

 Information on the schedule, tours or registration contact the International Society of Appraisers online at http://www.isa-appraisers.org//conference or by phone at 206-241-0359. ISA is a not-for-profit personal property appraisal organization dedicated to serving both its members and the public by producing highly qualified and ethical appraisers through education.

Contact: Patricia Hefner, ISA-AM, 847- 328-2522

http://www.isa-appraisers.org/

Society of North American Goldsmiths 2010 Conference
Mar. 10 — Mar. 13

Houston, Texas
http://www.snagmetalsmith.org
For more information, email conference@snagmetalsmith.org or visit online.

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American Society of Jewelry Historians

246 N. Regent St.. Port Chester, NY 10573 914-286-7685
www.asjra.net
www.jewelryconference.com
www.jewelryandrelatedarts.com

ASJRA members are the first to receive the news that the Fifth Annual Conference on Jewelry & Related Arts is being announced. Please note there are several changes this year. The conference will be held on Saturday, May 15, 2010 in New York City not in October. In addition to the change in date the venue has been changed as well…the conference will be held at a prestigious private club (just off Fifth Avenue in New York City).

This year’s conference, One More Time: Jewelry Fakes, Revivals, Recycling and Reproductions will examine the history of jewelry forgeries; the
cyclical looking to the past for inspiration; the use of substitute and synthetic materials; the practice of recycling old/found objects; reproduction of historic gems; and famous jewelry hoaxes and heists.

Our conference speakers are from diverse disciplines—including historians, curators, gemologists and authors.

C O M P E T I T I O N S

Silver Triennial 2010 -  Hanau, Germany

Gesellschaft für Goldschmiedekunst e.V.
Deutsches Goldschmiedehaus Hanau

Altstädter Markt 6
D-63450 Hanau
www.museen-hanau.de
www.gfg-hanau.de

Tel +49 (0)6181-256556
Fax +49 (0)6181-256554
gfg-hanau@t-online.de

The Silver Triennial has been organized since 1965 by the Gesellschaft für Goldschmiedekunst (Association for Goldsmiths’ Art) and the Deutsches Goldschmiedehaus Hanau (German Goldsmiths’ House) to promote contemporary silversmithing. Through national and international exhibition programs, it has become recognized worldwide.

Theme / Material
We request new design ideas for hollow- and flatware. Jewelry will not be accepted. Work should be submitted for the main contest or the youth promotion contest (born 1976 and younger) and should be executed in silver. Other materials are permitted only as additions. Students and apprentices may submit silver-plated pieces. Both one-of-a-kind objects and prototypes for serial production are acceptable.

Eligibility Requirements
Gold and silversmiths, metal artists and designers, as well as students and apprentices from Germany and abroad may submit a maximum of two works, each of which may consist of multiple pieces. Collaboration between the designer and the maker is allowed. Works must be dated no earlier than January, 2007. Participants are required to make their work available for the entire exhibition period.

The given price in Euros € will be considered as the insurance coverage from the time of its arrival until its return to the receiver. If works are to be offered for sale, prices should be stated in Euros €. In case of damage, compensation will cover material costs and working time only.

Entries should be so constructed as to withstand repeated packing and unpacking.
Every participant must pay a fee:
Main contest: 35.00 €, youth promotion contest: 20.00 €
Sparkasse Hanau, BLZ 506 500 23, KTO: 20 800
IBAN: DE17 5065 0023 0000 0208 00,
Swift-BIC: HELADEF1HAN

The works will be submitted to the jury only if the participation fee is paid.
Jury Members
Dr. Stephan Demmrich, chief editor of the magazine
Wohn!Design, Stuttgart; Dr. Rüdiger Joppien, Museum
für Kunst und Gewerbe, Hamburg; Beate Leonards, silversmith,
Lübeck; Record: Dr. Christianne Weber-Stöber,
Association for Goldsmiths’ Art / German Goldsmiths’
House, Hanau
The jury will choose the prize winner and the exhibition participants. The decision of the jury is final with no legal recourse.
Prizes:
Main contest
4,000.00 € Robbe & Berking Prize
Youth promotion contest:
1st prize: 3,500.00 € Lions Club Hanau Prize
2nd prize: 2,500.00 € Lions Club Hanau Prize
3rd prize: 1,000.00 € Lions Club Hanau Prize
Entries from Germany / EU countries

Entries must reach the Deutsches Goldschmiedehaus Hanau, Altstädter Markt 6, 63450 Hanau, Germany, post paid and accompanied by a completed registration form between June 21 and July 1, 2010. Each entry must be accompanied by a digital photograph (tif or jpg, min. 1900 x 1900 pixel) which can be used in the catalog. Entries from non-EU countries

Entries must reach the Deutsches Goldschmiedehaus Hanau, Altstädter Markt 6, 63450 Hanau, Germany, post paid and accompanied by a completed registration form, between June 21 and July 1, 2010. Each entry must be accompanied by a digital photograph (tif or jpg, min. 1900 x 1900 pixel) which can be used in the catalog.

Each entry must be accompanied by three images or copies, as well as three copies of the registration form (custom regulations). The declaration of value must be in Euro. The objects must be declared as exhibition objects, not as goods for resale. The entries can be sent by mail or a shipping company. If they are sent by a shipping company, the entries must be declared as ”exhibition objects“, they should not get into “free circulation“. The German Goldsmiths’ House will take care of customs clearance.

Exhibitions / Catalog
Selected works will be exhibited at the German Goldsmiths’ House from November 4, 2010 until February, 2011. Other exhibition sites will be: Fair Ambiente, Frankfurt, February 11–15, 2011 (planned), Museum Kunstgewerbesammlung Huelsmann, Bielefeld; Zilvermuseum Sterckshof, Antwerp, Belgium; Wasserschloss Klaffenbach, Chemnitz; Neue Pinakothek der Moderne, Munich (planned)
A bilingual catalog (German/English) with illustrations of selected pieces will be published to accompany the exhibition.
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Niche Awards

The NICHE Awards program began in 1990 to celebrate excellence and innovation in American and Canadian fine craft. Artists are recognized in professional and student divisions.

The professional division of the 2010 NICHE Awards was judged by a distinguished panel: gallery owners Bruni Obriecht, Kelly Richard, Diane and Madis Sulg and Susie Wilber; arts advocates Clemmer and David Montague and Emma Quin, who was aided by associates Mark Lewis and Sara Washbush; and tradeshow representative Rebecca Mercado.

Winners will be announced at a ceremony in Philadelphia on Friday, February 12, 2010, at the Pennsylvania Convention Center, held in conjunction with the Buyers Market of American Craft.

http://www.nichemag.com/

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Saul Bell Design Award

Established in 2000 in honor of Rio Grande’s founder, Saul Bell, the annual Saul Bell Design Award competition challenges designers from all over the world to create innovative and original jewelry designs. Rio Grande serves as host and catalyst to this competition that rewards nearly $30,000 in prize awards, making this event exceptional among design competitions. Designers are encouraged to unleash their imagination within any of several categories and push the boundaries of jewelry design.

Established in 2000 in honor of Rio Grande’s founder, Saul Bell, the annual Saul Bell Design Award competition challenges designers from all over the world to create innovative and original jewelry designs. Rio Grande serves as host and catalyst to this competition that rewards nearly $30,000 in prize awards, making this event exceptional among design competitions. Designers are encouraged to unleash their imagination within any of several categories and push the boundaries of jewelry design.

2010 Saul Bell Design Award Competition

In its tenth year, the Saul Bell Design Award competition continues to recognize artists whose work challenges traditional perceptions of jewelry design. We invite you to enter your most inspired creations in the 2010 Saul Bell Design Award competition. The Call for Entry for the 2010 Saul Bell Awards is now closed.

Winners will be notified by phone and/or mail and announced formally to the public during JCK Las Vegas, 2010. For more information, call 505.839.3265 or 800.396.9896 ext. 13265, or email marketing@riogrande.com.


Grand Prize
$10,000 Rio Grande Gift Certificate

First Place (in each of the remaining five categories)
$2500 Rio Grande Gift Certificate

Second Place (in each of the six categories)
$1000 Rio Grande Gift Certificate

Winners and their designs may be featured in Rio Grande publicity campaigns.

http://www.saulbellaward.com/

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THE UGLY NECKLACE CONTEST

8th Annual
The Ugly Necklace Contest, 2010

A Jewelry Design Competition
with a Twist

Official Rules

Deadline: March 15th, 2010

Sponsored by:
Land of Odds
Be Dazzled Beads
Center for Beadwork & Jewelry Arts
Open Window Gallery - Fine Art Jewelry

FIRST PRIZE: a $992.93 shopping spree
on the Land of Odds web-site (www.landofodds.com)
RUNNER-UP PRIZE: a $399.07 shopping spree
on the web-site.

Now open to both US and International submissions as well. There are talented Ugly-Necklace Jewelry Designers everywhere!

www.landofodds.com
718 Thompson Lane, Ste 123, Nashville, TN 37204
Phone: 615-292-0610; Fax: 615-460-7001


Call for Entries – 8th Annual 2010 The Ugly Necklace Contest
-- A Jewelry Design Competition With A Twist
www.landofodds.com/store/uglynecklace.htm .

To add your name to our email list associated with The Ugly Necklace Contest, send an email to: oddsian@landofodds.com
and Write "Ugly Necklace Email List" in the subject line.

Sponsors:
Land of Odds www.landofodds.com,
Phone: 615-292-0610; Email :warren@landofodds.com
Land of Odds provides bead and jewelry making artists with virtually all their beads, supplies, books and jewelry findings needs, with over 30,000 products. Retail/Discounts/Wholesale.

Be Dazzled Beads www.bedazzledbeads.com
Center for Beadwork & Jewelry Arts www.landofodds.com/beadschool
Open Windows Gallery – Fine Art Jewelry www.landofodds.com/store/openwindowgallery.htm
Learn To Bead…At Land of Odds Blog blog.landofodds.com

Other Programs at Land of Odds:
ALL DOLLED UP: Beaded Art Doll Competition
www.landofodds.com/store/alldolledup.htm

Contemporizing Traditional Etruscan Jewelry:
The Art, Technique, and Design
of Bead Stringing and Bead Weaving

Toscana Americana Workshops

Instructor: Warren Feld
Cortona, Italy
May 22-29, 2010

718 Thompson Lane, #123
Nashville, TN 37204
615-292-0610
warren@landofodds.com

Contact Toscana Americana


www.landofodds.com/store/toscananarrativesynopsis.htm

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Woman's Jewelry Association

To empower women to achieve their highest goals in the international jewelry, watch and related businesses.

http://www.womensjewelry.org/

www.larkbooks.com/submissions/ArtistEntryForm-Plastic.asp.

kperez@contemporarycrafts.org; (503) 223-2654; www.contemporarycrafts.org/twa.pdf.

W O R K S H O P S

California

San Diego

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San Francisco

Revere Academy of Jewelry Arts
San Francisco, California
http://www.revereacademy.com/

The Art Jewelry Forum

Each year we offer a sampling of student work from university and art schools around the country. Here is a sampling of work from Miami University, University of Kansas, Savannah College of Art and Design, Cranbrook, East Carolina University, California College of the Arts, and the University of Washingon. Have a look.
 

The Art Jewelry Forum is a non-profit organization focused on contemporary artist made jewelry. The art jewelry community is vibrant, yet small. Through AJF our members promote jewelers, support galleries, assist museums, and encourage collectors — old and new. We invite you to join us.

http://www.artjewelryforum.org/home/148

Idyllwild

Located at an elevation of 5,000 feet on the western slopes of California’s San Jacinto Mountains, Idyllwild’s campus is naturally beautiful, complete with alpine forests, mountains, and meadows. Remote from urban distractions, it is still just 2.5 hours by car from Los Angles or San Diego. Visitors can take advantage of Idyllwild’s broad choice of recreational activities on-campus, or by visiting the nearby town of Idyllwild, with its restaurants, specialty shops, and art galleries.

Metals Week

http://www.idyllwildarts.org/summer/programs/adult_arts_center/metalsweek/metals_week.html


June 27–July 1, 2010



Overview

Metals Week 2010 is designed to be a week of creative and social renewal where you can relearn how to be open to learning and seeing from a creative perspective. You will be working with master instructors in an environment that encourages opportunities to test ideas, try new techniques and create work as well as network and exchange ideas with others jewelers and metalsmiths. Whether you come to learn new skills or enhance the skills and techniques you already know, you will have the opportunity to grow as an artist in metal.

This week of intensive metals studies will begin on Sunday, June 27 and run through Thursday, July 1. You will have the opportunity to work with one of six outstanding jewelers/metalsmiths – but in addition, you will have the opportunity to sign up for two lecture/demos from other instructors teaching during the week. This is a time for you to attend a lecture/demo, examine samples, ask questions and visit with instructors teaching other Metals Week workshops. This schedule offers the opportunity of a rich and well-rounded experience with intensive studies focusing in the area and with the instructor you have chosen.

Class size is limited to allow for maximum interaction among participants and with the instructors. The metals studios are equipped with torches and large equipment as needed for the classes. A comprehensive list of items students will need to bring will be sent upon registration.

Etching - Deborah E. Love Jemmott
Forging Neck Collars, Pendants & Slides - Fred Zweig
Resin Inlay - Karen Christians
Sculpted Bezels & Non-Traditional Stone Settings - Pauline Warg
Trapping Found Objects - Joanna Gollberg
Tool Making & Alterations - Val Link

http://www.idyllwildarts.org

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Connecticut

Brookfield

See the complete list of interesting workshops at

http://www.brookfieldcraftcenter.org/

http://www.brookfieldcraftcenter.org/calendar.html

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New Haven

October 3 — December 11, 2010
http://www.creativeartsworkshop.org
For more information, call 203-562-4927 or visit online.

.

Oct. 16 — Oct. 17, 2010
http://www.artgallery.yale.edu
 
The Oswaldo Rodriguez Roque Memorial Symposium, The Art of Adornment: The American Jewelry Tradition from the Seventeenth Century to the Present, is organized in four sessions in which historians and contemporary jewelers address the themes of jewelry and fashion, materials and techniques, jewelry as social signfier, and love, loss, and remembrance. Among the contemporary jewelers presenting are Sharon Church, Robert Ebendorf, Marjorie K. Schick, and Joe Wood. Cindi Strauss, Curator of Modern and Contemporary Decorative Arts and Design, the Museum of Fine Arts, Houston, presents a free keynote lecture on October 16 at 5:30 pm.
Friday, October 16, and Saturday, October 17, 2009

Yale University Art Gallery
Robert L. McNeil, Jr., Lecture Hall
1111 Chapel Street (between York and High Streets)
New Haven, Connecticut

Nonmembers: $60
Members of the Yale Art Museums and Friends of American Arts at Yale: $45
Students: Free
Optional hands-on workshops: $35; Members, Friends, and students: $25
 

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Middletown

Workshops in Jewelry

March 27 & 28
  A Mildred Weiner Workshop
  Resin Workshop
  with Karen Christians

Wesleyan Potters, Middletown, Connecticut
 
For more information, call 860-347-5925.  

http://www.wesleyanpotters.com

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Florida

West Palm Beach

Dec. 7 — Apr. 26
Armory Art Center, West Palm Beach, Florida
http://www.armoryart.org
Two- to five-day workshops in varous media.

For details, call 561-832-1776, ex 33, or visit online.

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Minnesota

Grand Marais

North House Folk School,

New Mexico

Santa Fe

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New Jersey
 

Demarest

Art School at Old Church Center Gallery: 

The Art School at Old Church was established in 1974 as a non-profit, nonsectarian cultural resource center. A band of artists and friends seeking to start a community art school saw promise in the ruined structure of a 19th century church building. Through their hard work and dedication, the group transformed the old church into a center for artistic learning and enrichment. Today, the Art School continues to offer educational and cultural experiences that enrich the quality of life in the local and regional community.

Our Mission

The mission of the Art School at Old Church is to improve the quality of life in the community and region through educational and cultural offerings.

http://www.occcartschool.org/

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North Carolina

Hendersonville


Center for Craft Creativity and Design, Hendersonville, North Carolina

The Center for Craft, Creativity and Design (CCCD) is a regional center of the University of North Carolina with a strong nonprofit support organization. It is located on the fifty-acre UNC Asheville Kellogg Center in Hendersonville, North Carolina. CCCD convenes national meetings, supports research in the area of craft and design, and curates exhibitions for a small gallery space and the sculpture and public art on the property's one-mile Rudnick Nature Trail. CCCD also manages an adjacent Conference Center, a multimedia rental facility serving area nonprofits, educational and corporate needs.

Mission:
The mission of the regional UNC center is to advance the understanding of craft by encouraging and supporting research, scholarship, and professional development.

The mission of the nonprofit is to support the regional center through funding, programs and outreach to national and regional artists, craft organizations, schools, and the local community.

History:
Both the regional center and the nonprofit grew out of a 1994-1995 study commissioned by the Educational Committee of HandMade in America, a nonprofit organization serving the makers of the handmade object in Western North Carolina. The study recommended a new organization with a broad vision of craft, creativity and design as interrelated components applied through education, industry and commerce. It also recognized the strength of collaboration between the University of North Carolina system, with emphasis on the three mountain campuses, and the region's nationally recognized craft schools, guilds, museums, and working craftspeople and artists. If the valuing of studio craft was to equal that of "fine art," it had to be so recognized in academia. Where better to begin the transformation than in the region of the country most recognized for its' outstanding craft industry - Western North Carolina? In April 2001 the Center for Craft, Creativity and Design program moved from offices in the Conference Center (opened in 1997) into an adjacent new facility with galleries, an education room and offices. The Policy and Nonprofit boards meet together bi-monthly to guide the mission and goals of the Center for Craft, Creativity and Design.

Programs:
CCCD supports research in craft and design through national convenings at the Kellogg Conference Center, regional workshops and conferences, and publications of regional and national significance. Workshops, residencies and curriculum development reflect its educational mission through active collaboration with University of North Carolina faculty. The area community is served through exhibits, monthly talks relating to work in the exhibits, and the Perry N. Rudnick Nature Trail that features public art.

Public Served
There are four categories of audience served by CCCD programs: university students, faculty, practicing professionals, and the general public. University students and faculty participate in workshops and sponsored residencies of international artists, are featured in exhibitions, and benefit from curriculum development in craft studies, public art and community design. Workshops, exhibitions and national research sponsored by CCCD, elevating the value of craft, benefit the professional craft artist. The general public walks the nature trail, attends talks and workshops, and visits exhibits. The Conference Center provides a high tech, multimedia meeting space for regional education, nonprofit and corporate use.


http://www.craftcreativitydesign.org
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Winston Salem


Sawtooth School for Visual Art, Winston-Salem, North Carolina
http://www.sawtooth.org
The Sawtooth School for Visual Art in Winston-Salem NC has announced its fall schedule of weekly classes and weekend workshops.  The Fall session runs from September 14 through December 7 and features classes and workshops in pottery, fibers, drawing/painting, metals, glass, photography and wood.  Weekly classes meet once per week for a duration of 3 to 9 weeks.  Weekend (one and two-day) workshops featuring Sawtooth faculty and visiting artists will take place in glassblowing, jewelry-making, screen-printing, handmade journals, pottery, Precious Metal Clay and mosaics.  For more information or to register, phone Sawtooth School at 336 723-7395 weekdays or visit online.
Ceramics   Fiber/Textile   Glass   Jewelry   Metal   Mixed Media   Mosaics   painting   Workshops  

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Little Switzerland

Wildacres Retreat Center

Charles Pinckney, local metals artist, will teach three workshops this summer.  The last week of June he will teach at Wildacres Retreat in NC for the Florida Society of Goldsmiths.  For the first week of August, Touchstone Center for Crafts in  Farmington, PA has requested that he teach Small Sculpture Design and Fabrication.

He will also teach Metal Art as Oral Tradition…the Story as Jewel at Arrowmont School of Arts and Crafts, Gatlinburg, TN the week of August 22-28.

 The three courses will explore aspects of design and the concept of art as oral tradition using traditional metal techniques combined with surface embellishment and natural materials to fabricate small wearable objects.

 You can find more information about the workshops at these websites:  http://www.wildacres.org/, http://www.touchstonecrafts.com and http://www.arrowmont.org.

Charles Pinckney has been accepted into the Carolina Designer Craftsmen Guild.

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Pennsylvania

Farmington

Charles Pinckney, local metals artist, will teach three workshops this summer.  The last week of June he will teach at Wildacres Retreat in NC for the Florida Society of Goldsmiths.  For the first week of August, Touchstone Center for Crafts in  Farmington, PA has requested that he teach Small Sculpture Design and Fabrication.

He will also teach Metal Art as Oral Tradition…the Story as Jewel at Arrowmont School of Arts and Crafts, Gatlinburg, TN the week of August 22-28.

 The three courses will explore aspects of design and the concept of art as oral tradition using traditional metal techniques combined with surface embellishment and natural materials to fabricate small wearable objects.

 You can find more information about the workshops at these websites:  http://www.wildacres.org/, http://www.touchstonecrafts.com and http://www.arrowmont.org.

Charles Pinckney has been accepted into the Carolina Designer Craftsmen Guild.

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Tennessee

Gatlinburg

Charles Pinckney, local metals artist, will teach three workshops this summer.  The last week of June he will teach at Wildacres Retreat in NC for the Florida Society of Goldsmiths.  For the first week of August, Touchstone Center for Crafts in  Farmington, PA has requested that he teach Small Sculpture Design and Fabrication.

He will also teach Metal Art as Oral Tradition…the Story as Jewel at Arrowmont School of Arts and Crafts, Gatlinburg, TN the week of August 22-28.

 The three courses will explore aspects of design and the concept of art as oral tradition using traditional metal techniques combined with surface embellishment and natural materials to fabricate small wearable objects.

 You can find more information about the workshops at these websites:  http://www.wildacres.org/, http://www.touchstonecrafts.com and http://www.arrowmont.org.

Charles Pinckney has been accepted into the Carolina Designer Craftsmen Guild.

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Memphis

The Metal Museum

Classes

The Metal Museum offers various education programs ranging from public demonstrations to middle and high school programs to blacksmithing and casting. Metalsmithing and foundry classes are taught on site. Classes start at beginner levels and go to advanced specialized sessions. After students take a basic class, they are eligible to use the Metal Museum's shop facilities (Membership at the $250 level required). The Metal Museum also offers acid/copper etching, silver bracelet fabrication and aluminum casting for children and participates in the Memphis City Schools Summer Arts Program.

http://www.metalmuseum.org/

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Washington

Seattle

Museum of History and Industry, Seattle, Washington
http://www.seattlemetalsguild.org

The Seattle Metals Guild 2010 Lecture Series

The Lectures are coming! The Lectures are coming! What better holiday present could you ask for than the anticipation of another wonderful year of speakers in the Seattle Metals Guild Lecture Series??? Please let me be the happy fulfiller of all those holiday wishes! Please, please, please! Oh, thank you!

Now presenting for your anticipatory pleasure, our exceptional slate of speakers for the 2010 Lecture Series! We'll be beginning our fine foursome of talks on January 14th with a trip across the pond to the isles of Britain and Scotland. There we'll be exploring various museums, galleries, art schools and metalsmith's workshops with jeweler Peggy Foy, recipient of SMG's Ramona Solberg Travel Grant in 2007. What an amazing chance to see some classic works both ancient and modern! I wonder if I'll find inspiration in the same pieces Peggy does?

February brings us back to our own backyard with a truly unique look at metalworking from a side most of us have never even considered - how do companies get their amazing metal signs? Mark your calendar for the 11th when environmental chemist, blacksmith, and worker of who knows how many different metals, John Hicks, comes to tell us a little about a world few of us know or even think about. Sure he does some stunning other work as well, but signs? He's got me hooked! If you'd like a preview, you'll see some amazing work on his website www.steelheadfab.com.

If we're going to be in the blacksmithing and welding realm, let's stick with it, shall we? We can't do the same thing twice in a row, though - that would be silly! So, lets add in another art form... how about combining fused glass with our metalworking? Why not? Sure sounds fascinating to me and on March 11th welding instructor and glass artist Mimi Riley will show us some of the marvelous possibilities. Not only that, she said she'll give us some tips as well! As you can see on www.mimiriley.com, she's a woman who knows what she's talking about. I'm hoping to take her garden gate welding class, myself.

Now I know all the jewelers out there are saying "What? No jewelry in months? I don't believe it!" Well, I've saved a special treat for our grand finale in April. Most of us don't know it, but we're lucky enough to have one of the great master engravers right here in our own backyard! This series has taken us to Europe, we've explored the world of corporate signage, welding has been examined in a new light and on April 8th it'll be time to prepare for summer with a trip to the metal working styles of the Old West. Mark Drain, one of the founders of the Traditional Cowboy Arts Association, will be on hand to talk about his engraving, silversmithing and other work in the cowboy world. Trust me when I say that you won't be let down if you check out some of his work at http://www.tcowboyarts.com/members/silversmiths/mark-drain, but make sure you explore the rest of the site as there are some amazingly talented metalsmiths on there! Who knew a master engraver was just a quick drive away in Shelton, Washington?

Hoo-boy! If that hasn't whet your appetite for next year's Series, well, I'm not sure what would! Have a wonderful holiday season everyone and I'll look forward to seeing you in January (in SPU's Otto Miller Hall Room 127 before the talk begins at 7pm, of course)!

Sponsored by the Seattle Metals Guild.

For more information and to register, visit online.http://www.seattlemetalsguild.org

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England

London 

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Belgium

Brussels
-
Mrs Martine D'Haeseleer
Antique SilverWare
Belgian, European Continental,
English and American
Authentification - Expertise - Appraisal
Intermediary - Consulting
www.silverbel.com
Isla de Tenerife - Islas Canarias
TELF: 0034/ 922 81 40 39
Mob-Mov:  0034/ 620 683 407